Solid residue not grounded

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biospheres and sacred grooves". the thing on that album that really struck me was "linkage". the way they sampled egyptian rhythms, and the fact that the track was purely made up of rhythms in a very stripped back way, that were also at a slow bpm. it had a purity and a different edge, very tribal, not

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http://finn-johannsen.de/tag/psychick-wariors-ov-gaia/

biospheres and sacred grooves". the thing on that album that really struck me was "linkage". the way they sampled egyptian rhythms, and the fact that the track was purely made up of rhythms in a very stripped back way, that were also at a slow bpm. it had a purity and a different edge, very tribal, not

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. i was sure that i would never forget how much he mattered to me with everything he did, but i was also accepting that it would occupy my mind less and less with time passing by. except it didn't. i kept pulling old records with his "classic club mix" credentials from the shelf, humming tunes, and not

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http://finn-johannsen.de/tag/swing-out-sister/

from there i didn't really hear of them again until i joined a band in -ish. the two guitarists were big fans of talk talk, but the later stuff. i'd not heard it before. they were really big albums with a big circle of friends of theirs, in plymouth where i had moved to as a teenager.

projections gabi delgado louche podcast max duley morton subotnick the klf jay denham jan carter boche picknick sven vt dj assault thomas meinecke deep house everything but the girl alexander slaughter tony humphries salon zur wilden renate volksgarten pavillon conor lynch boris dlugosch sweat inc. grounded...

http://finn-johannsen.de/tag/talk-talk/

my father was an avid vinyl collector, he was a football player and played in the uefa cup tournaments at the end of the 's and early 's. wherever he played he managed to find a record store and buy new music. i'm not sure where he picked up "fear of music" but i'm quite sure he bought the record when

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http://finn-johannsen.de/tag/talking-heads/

as far as i can tell, they are one of the first underground rave acts that brought this kind of music (or elements of it) to the mainstream, complete with conceptual visual imagery and a certain philosophy. and 'mainstream' of course, is not punters in a field in the uk. it's a -year-old in greece, on

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http://finn-johannsen.de/tag/the-klf/

as far as i can tell, they are one of the first underground rave acts that brought this kind of music (or elements of it) to the mainstream, complete with conceptual visual imagery and a certain philosophy. and 'mainstream' of course, is not punters in a field in the uk. it's a -year-old in greece, on

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http://finn-johannsen.de/tag/the-orb/

journal of geophysical research: solid earth - wiley online library skip to main content covid- impact: information for print subscribers search withinthis journal agu journals wiley online library search term advanced search citation search search term advanced search citation search search term advanced

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https://agupubs.onlinelibrary.wiley.com/journal/21699356

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