Solid residue not grounded

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i see this song as representing the pinnacle of her musical achievement. the artistic promise that she showed on "chelsea girl" and "the velvet underground with nico" is at "the end" stage fully realized. not to say that these early achievements aren't beautiful and worthwhile – on the contrary. but

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http://finn-johannsen.de/tag/jorge-socarras/

made" were big on the two-step soul scene in the mid 's and "lemon in the honey" and "cherchez la femme" are disco classics. however, i think it works wonderfully well as a whole album. it's only seven songs and i think it's perfect as an album. it's in my top three favourite albums of all time (i'm not

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http://finn-johannsen.de/tag/luke-howard/

"snow borne sorrow" i was actually turned on to by one of my oldest and closest friends. it was only a couple of weeks after release. why did you decide to discuss this album, and not another one of his many remarkable records? what makes this so special to you?

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http://finn-johannsen.de/tag/luke-solomon/

from there i didn't really hear of them again until i joined a band in -ish. the two guitarists were big fans of talk talk, but the later stuff. i'd not heard it before. they were really big albums with a big circle of friends of theirs, in plymouth where i had moved to as a teenager.

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http://finn-johannsen.de/tag/mark-hollis/

my father was an avid vinyl collector, he was a football player and played in the uefa cup tournaments at the end of the 's and early 's. wherever he played he managed to find a record store and buy new music. i'm not sure where he picked up "fear of music" but i'm quite sure he bought the record when

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http://finn-johannsen.de/tag/martyn/

paloma was to react to trends that we felt neglected the vibe of the house nights we grew up with. we wanted to offer an alternative to what we call shoegaze house music, and we wanted to bring back the focus to the party. there is no strict musical old school policy, but the feeling is. even if we do not

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http://finn-johannsen.de/tag/mix/

i see this song as representing the pinnacle of her musical achievement. the artistic promise that she showed on "chelsea girl" and "the velvet underground with nico" is at "the end" stage fully realized. not to say that these early achievements aren't beautiful and worthwhile – on the contrary. but

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http://finn-johannsen.de/tag/nico/

"snow borne sorrow" i was actually turned on to by one of my oldest and closest friends. it was only a couple of weeks after release. why did you decide to discuss this album, and not another one of his many remarkable records? what makes this so special to you?

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http://finn-johannsen.de/tag/nine-horses/

biospheres and sacred grooves". the thing on that album that really struck me was "linkage". the way they sampled egyptian rhythms, and the fact that the track was purely made up of rhythms in a very stripped back way, that were also at a slow bpm. it had a purity and a different edge, very tribal, not

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http://finn-johannsen.de/tag/oliver-ho/

paloma was to react to trends that we felt neglected the vibe of the house nights we grew up with. we wanted to offer an alternative to what we call shoegaze house music, and we wanted to bring back the focus to the party. there is no strict musical old school policy, but the feeling is. even if we do not

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