tone the mercury m s is warm and punchy. the m s has a thick bottom end, a great push in the mid range and a open airy top end. the m s performance is great on vocals, bass, drums, acoustic and electric guitars as well as room and overhead applications. the m m is warm, open and airy. compared to the...
on or around threshold. two leds show when the signal is 'above' or 'below' threshold and a push button switch allows additional control of release time. this design approach also retains all 'leading edge' information making the gate ideal for 'cleaning up' vocals or retaining the 'punch' on gated drums...
and live, the n is the perfect companion for musicians and engineers alike. the big ribbontm: reimagined featuring the same big ribbontm technology that has earned aea its reputation, the n offers an incredible sound in close-mic applications like acoustic and electric guitars, piano, vocals, and drums...
arpeggiating, dsp free analog dream machine. overflowing with elaborate midi control, dynamic signal processing, and expansive modulation, its sound creation and manipulation could very well exceed the boundaries of your imagination. salvational pads, foundational basses, revelatory leads, electrosonic drums...
- is excellent on brass and can handle close-miked trumpets, trombones and other brass instruments. brass records naturally on an r- , as bright as the musician plays but without the added sizzle or harshness commonly experienced when condenser mics are used on brass instruments. close up of mount drums...
but that's where the similarities end. by using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the r- is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. cranked up electric guitars, close up brass, drums...
classified as a studio and live work-horse. classic ' -style preamps are known for being versatile tools that work with all kinds of microphones from condenser, to dynamic, to ribbon. the wa equally shines on all types of microphones and sources including; vocals, acoustic/electric guitars, bass, drums...
classified as a studio and live work-horse. classic ' -style preamps are known for being versatile tools that work with all kinds of microphones from condenser, to dynamic, to ribbon. the wa equally shines on all types of microphones and sources including; vocals, acoustic/electric guitars, bass, drums...
design that utilizes a cinemag usa transformer, polystyrene and wima capacitors and a fairchild fet. the wa- is designed for pro studio, home studio, live, and broadcast applications and sounds great on a variety of instruments and sources, such as; acoustic/electric guitars, acoustic/electric bass, drums...
: lccn : no sudoc : viaf : worldcat identities : lccn-no v t e telecommunications history beacon broadcasting cable protection system cable tv communications satellite computer network data compression audio dct image video digital media internet video online video platform social media streaming drums...