begin thinking about learning some funny guitar christmas songs. chords for winter wonderland - smooth jazz christmas. have yourself a merry little christmas-tab-guitarscript c c / c dm sus bb b dm sus c dm sus cmaj a db # f/g ab # g c / f/g g b cmaj dm sus db b . for voice, trumpet, piano, guitar and drums...
flexible tool with which to shape new sounds and control any part of the audio spectrum. the curves and slopes have been carefully tailored to enable users to exercise maximum technical and artistic skill. over three decades of engineers have found the an indispensable tool for recording and mixing drums...
the classic jazz signature of the most famous records from the 's) and small ensembles (of nearly any instrumentation) saw the as the "go to" mic. cello and violin at short distance gain intimacy and acoustic or electric bass will find a perfect warm tone without muffling using the bock . individual drums...
is active. vari-phase in addition to the standard polarity reverse, the 's vari-phase control may be used to adjust phase incrementally. this control is useful any time two signals derived from the same source are combined. for instance, even with careful placement, the combination of close miced drums...
transformer, the b mic pre delivers warmth with depth and clarity. the b d is the same as the b except that it has an all iron bx output transformer giving it a more terrifying rock tone. an all discrete transistor, class-a, direct coupled, capacitor free circuit path, gives the b amazing punch on drums...
dry mix circuit, allowing tonal settings never before available on an inward connections vca compressor. with its range of ratios, array of timing options and integrated mix control, the bad boy is ready to tackle any source. it's ready to work whether it's leveling gentle acoustic guitars, smashing drums...
in a single u package. this unit is now available from our custom shop (special order). both channels are multipurpose tools for making music. the mercury m s is warm and punchy, with a thick bottom end, a great push in the mid range and a open airy top end. the m s performs great on vocals, bass, drums...
modes on different channels, even different modes on m and s in mid side operation. a little about the different compression modes: bm mode: this is the most gentle but versatile mastering compression mode but with very unique attack behavior. it works for the widest range of settings. it is great on drums...
/l is for live performance and has three sr s: two for overheads and one for kick drum, a kickpadtm and a windscreen. the patented cardioid pattern on the sr provides a more uniform off-axis response and has less susceptibility to acoustic feedback. the dk /l is also ideal for use with multi-miked drums...
you'll hear more attack, more subtle detail and a more pristine quality in the sound than with any other microphones. the earthworks drum microphones capture every nuance of sound from each piece of the drum set with such an exceptional clarity and cohesiveness, which make it sound like a live set of drums...