Search Results for: Dressing gowns of man-made fibres
the economic crisis, apartheid, war or the environment. this, to me, is more important than showing a collection that is in sync with what is happening on the runways of north america or europe. protest is important to me as are the folk elements of trinidad and tobago, and of course the theme of revolution
was that before designing i wanted to be a priest, somewhat evident in the construction of some of the earlier pieces of the cloth, which, back then, was a collaboration with camille selvon and nathalie phillips. there are still threads of that in my lines, and i guess without losing my initial ambition...
http://donotcallmeafashionista.blogspot.com/2009/08/