and also the highest quality. despite having old-style features, the peq- is very versatile and is perfectly adequate to modern recording techniques. with new frequencies it became yet more flexible than the original. this is the ultimate equalizer to make silky smooth enhancements to vocals, bass, drums...
offering the engineer a wide range of sound sculpting options. the compression range and palette of sounds that can be found with the is virtually infinite. with its feed-forward and feed-back control, you have two completely different sounding compressors. if you need aggressive transient shaping for drums...
(eg. drums; kick, snare, and stereo left to right.) the maximum analog level at the insert points is + dbm. both the discrete class a pre-amp and the convertor modules are of a very high quality, low noise design. applications for the spider include (but are not limited to) live stereo recording, multi-channel...
tracks to channel and (long springs), mono vocal to channel (short) plus any solo, mono instrument to channel (short). sometimes even individual instruments can be sent to both kinds of springs in parallel. if you plug it into the insert use % dry and % wet. on sends use % wet, % dry. sounds amazing on drums...
loses no transient detail, and beautifully flatters percussive material and bright sound sources in a way that won't make you feel like you're missing anything by skipping the eq. stick one up close on the smaller speaker of an old tube combo for tremendous low-end emphasis, back up a pair to capture drums...
consonants such as 'p' and 'b'. similarly, the harshness caused by sibilant sounds – 's', 'z', 'sh', 'ch' – is also dramatically reduced, helping you capture the best possible performance from your vocalist. it's also useful for limiting the sound pressure on more powerful wind or brass instruments or even drums...
modifications performed, and the methods of use, we designed the stretch from the ground up to enable the modern engineer/producer to easily recreate those classic techniques and take them further. some recommended uses: - add sparkle and air to vocals (lead and background) - add low punch and/or bite to drums...
rms detection the s-type is a precision dynamic range controller intended for use in the most demanding professional audio applications. rms detection, high headroom input circuits and output drivers, give the s-type its own sonic excellence. it is great not only for mastering purposes, but also for drums...
offers a modern take on the old vari-mu ratio curve. the ratio is level dependent and increases with the signal level, a feature that will give you numerous possibilities. to make the t-komp more useful it has two ratio ranges. the first one goes up to : , perfect for instrument tracking and smashing drums...
offers a modern take on the old vari-mu ratio curve. the ratio is level dependent and increases with the signal level, a feature that will give you numerous possibilities. to make the t-komp more useful it has two ratio ranges. the first one goes up to : , perfect for instrument tracking and smashing drums...